|
|
See Explanation: Image of Edessa The image-bearing cloth was discovered in the early sixth century concealed
behind some stones above one of the city gates. It was a practice in ancient
cities of this area to mount a stone tile with a picture of some favored deity
above the city’s main gate. It may be that the Image of Edessa was simply stored
behind such a tile as suggested by some Byzantine iconography. It could well
have been that because of severe floods, to which Edessa was very prone; the
cloth was placed high in the city’s walls for protection. There is also the very
real possibility that it was hidden to protect it from invaders or to protect it
during times of Christian persecutions. We know that during the many
persecutions of the first three centuries, valuable relics, writings, and
ceremonial items of the church were routinely destroyed. There is evidence of
local persecutions in Edessa as early as the latter part of the first century
and of Roman persecutions that persisted until the time of Emperor Constantine.
If, in fact, the cloth was taken to Edessa in the earlier part of the first
century, it might have been hidden for protection as early as the reign of Ma’nu
VI, Abgar’s son, who is thought to have reverted to paganism. |
The
scientific study of the Turin shroud is like a microcosm of the
scientific search for God: it does more to inflame any debate than
settle it.”
And yet, the shroud is a remarkable artefact, one of the few religious relics to have a justifiably mythical status. It is simply not known how the ghostly image of a serene, bearded man was made.”
Scientist-Journalist Philip Ball Nature, that most prestigious of scientific journals, that once had bragging rights to claim that the Shroud was fake, responding to new, peer-reviewed studies that discredit the carbon 14 dating and show that the Shroud could be authentic. WHAT WE KNOW IN 2005
|