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The face on the Shroud aligns near perfectly with the face on the Christ
Pantocrator from St. Catherine's Monastery in the Sinai. This suggests that the
image on the cloth of Edessa was known to the artist who created the icon.
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The
scientific study of the Turin shroud is like a microcosm of the
scientific search for God: it does more to inflame any debate than
settle it.”
And yet, the shroud is a remarkable artefact, one of the few religious relics to have a justifiably mythical status. It is simply not known how the ghostly image of a serene, bearded man was made.”
Scientist-Journalist Philip Ball Nature, that most prestigious of scientific journals, that once had bragging rights to claim that the Shroud was fake, responding to new, peer-reviewed studies that discredit the carbon 14 dating and show that the Shroud could be authentic. WHAT WE KNOW IN 2005
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