Carbon 14 and the Shroud of Turin

Christianity and the Shroud of Turin Mystery

2008 News:  Shroud of Turin for Journalists

Now, in 2008, few scholars think that the carbon 14 dating of the Shroud of Turin is incorrect. As reported by PBS and National Geographic, forensic evidence clearly shows that what was tested is chemically unlike the main body of the Shroud. The chart below shows the clear differences. The conclusion is that what was tested was a cutting taken from a medieval repair, a patch of newer material applied to a well worn corner of the Shroud. The patched-in material was colored with alizarin and purpurin dyes extracted from Madder plant roots.

Sensitive microchemical tests (phloroglucinol in concentrated hydrochloric acid) test positive for vanillin (C₈H₈O₃ or 4-hydroxy-3-methoxybenzaldehyde) in the area of the cloth from which the carbon 14 sample were cut, and only in that area. Vanillin (vanilla) diminishes with time. By calculating the loss of vanillin from the lignin nodes of the cellulose fibers (E = 29.6 kcal/mole and Z = 3.7 X 10exp11/second) one can determine that the cloth is at least twice as old the earliest carbon 14 calculated age. (See Ray Rogers comments below).

At the very least there is reasonable doubt about the tests' validity and they cannot be considered definitive. More likely, they are extraordinarily wrong.

Ray Rogers (see curriculum vitae summary below) responds to the question:  "How do you know that the radiocarbon sample was not valid for dating the Shroud of Turin?"

The 1988 radiocarbon age determinations were carefully done. The sample preparation methods, the measurement technologies and procedures, and the data reduction were adequately planned and executed to answer the most important question: was the Shroud produced in the First Century? Damon, et al., reported that "The age of the shroud is obtained as AD 1260-1390, with at least 95% confidence." However, that date does not reflect observations on the linen ­production technology nor the chemistry of fibers obtained directly from the main part of the shroud in 1978. The independent analyses from the different laboratories scatter more than would be expected for a homogeneous sample, raising other questions.

The 1988 sampling operation was described as follows: "The shroud was separated from the backing cloth along its bottom left-hand edge and a strip (~10 mm x 70 mm) was cut from just above the place where a sample was previously removed in 1973 for examination. The strip came from a single site on the main body of the shroud away from any patches or charred areas." The use of a single sample, assuming it was representative of the whole cloth, defied normal procedures and protocols established before the radiocarbon study. It was a serious mistake.

To make matters worse, Mssrs. Franco Testore, professor of textile technology at the Turin Polytechnic, and Gabriel Vial, curator of the Ancient Textile Museum, Lyon, France, approved the location of the radiocarbon sample without any serious attempt at characterizing the sample. No chemical or careful microscopic sample characterizations were made. The 1988 work did not guarantee the validity of the sample.

The area where the radiocarbon sample was obtained had been photographed in 1978 with an ultraviolet source (see "UV fluorescence"). While making the UV photographs, the source was heavily filtered to exclude visible light and the camera was heavily filtered to exclude any effect of the UV on the film. All that appears on the film is the result of pure fluorescence. All fluorescence is a result of the chemical composition of the material.

The non-image cloth typically shows weak fluorescence (upper right). When image appears on the cloth, it quenches the fluorescence and gives it a brown color. The small, triangular, white area is where the Raes sample was cut in 1973. The radiocarbon sample was cut upward from there about 1 cm to the right of the seam and about 7 cm long. The area where the radiocarbon sample was taken is relatively dark, a fact that is not the result of dirt, image color, or scorching. The cloth is much less fluorescent in that area, brightening into more typical fluorescence to the right. The photograph proves that the radiocarbon area has a different chemical composition than the main part of the cloth. This was obviously not considered before the sample was cut.

Raes and radiocarbon yarn show colored encrustations on their surfaces. Some sections of medulla contain some of the material, showing that it had been able to flow by capillary attraction as a liquid. The encrustation is not removed by nonpolar solvents, but it swells and dissolves in water. There was absolutely no encrustation on either the Holland cloth or fibers from the main part of the Shroud.

The radiocarbon sampling area had been dyed to match the old part of the cloth. The sample chosen for dating was totally invalid for determining the true age of the Shroud.

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• Much of the scientific material on this site is based on the work of Ray Rogers. Rogers, a chemist, is a science Fellow of the University of California, Los Alamos National Laboratory and a charter member of the Coalition for Excellence in Science Education. He has published many scientific papers in peer-reviewed journals and U.S. Government publications. In 1978, together with several other scientists, he was invited to personally examine the Shroud of Turin in Italy for several days. He collected numerous measurements and samples of fibers and particulate materials for further study. Rogers died March 8, 2005..
  
   

 

Shroud face as it appears when photographed. This is a photographic negative of the image.

This is how the face appears on the Shroud.

Second face image recently discovered with image analysis technology. This a a computer enhanced view. It matches the face on the front. The images are doubly-superficial meaning that nothing soaked through.

Phase-contrast microscopy of a single image fiber. Image is a reddish-brown caramel-like complex carbon bond, a chemical change within a super thin coating of crude starch on the fabric's outermost fibers. It is not paint or any kind of applied pigment. It is likely caused by bodily amine vapors reacting with saccharides in the starch.

Scanning Electronic Microscope view of fiber showing crude starch coating. There is no paint or other pigment.

Thread consisting of twisted bundles of fibers. Shows color in starch coating.
 

© Copyright 2004 Daniel R. Porter. All Rights Reserved.